Bio

Franc grew up in rural Pennsylvania -- the lovely Bucks County -- the sixth daughter of a musical dad and an arty, ahead-of-her-time mom. The soundtrack in the early years included the two 8-tracks that came with their used station wagon: Creedence and Cabaret. Franc learned each to the note -- Cabaret was funner in front of a mirror but Creedence stuck to her bones. Big sisters added Beatles, Armatrading and Cocker, Franc studied classical guitar (no pick!), went through art and acting school (sensible at heart) and many good boyfriends, played too-personal songs solo in the street and in clubs, and then started the Franc Graham Band in 1990. The FGB happily played long hours on low chords to drunk fans in crowded Boston and Cambridge clubs and recorded some cassettes (cheaper) which are still pretty good.

The FGB evolved to include some of the best Boston musicians. The band became known for their low, deep, deceptively basic sound, and recorded It is Good in 2000 with local greats Jay Bellerose and Paul Bryan sitting in. This 5-song debut EP packs a very nice punch, drew Indie films to its soundtracky vibe and compelled Karen Aqua and Ken Field to have Franc sing on their animation shorts for Sesame Street. Then, Francıs idol (since before she was famous, ps.), Lucinda Williams got hold of It is Good. She called Franc ("Hi, Franc, this is Lucinda Williams." "No way." "Yeah, it is." "No way." etc.) and a tour was promised but only lasted for one ecstatic gig ­ the night before 9/11/01 ­ when the FGB opened for Lucinda on her Essence Tour. Lucinda referred to herself as a "Franc Graham convert." The sky fell in the am and all bets were off.

Franc was bent but not broke, as Mark Sandman put it, and went back to the Strat, committed to music staying fun and right. She pounded out the deep and gorgeous Sugar Tree album, which was met with high praise and featured special guests Billy Conway (Morphine) and Eric Paull (Clem Snide). Franc continued weekly shows in Cambridge for several years and shared larger stages with greats like Odetta and NRBQ. Then, in 2007, married and seven months pregnant, she took a short break from gigs and soon gave birth to the love of her life, Dean Graham Fletcher, who, can you blame him, slowed things down in a beautiful way.

The much anticipated new record, Steady, slated for release in 2010 (with special guests Bellerose, Bryon, and Paull, again), promises to fix everything thatıs wrong. Still unlike most else, Steady is lowdown, lowbrow, bedrock, backporch, and steady.

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